Benjamin Tomson / BHT Films
Films &
other worlds.
Choose an image to enter a project.
Sell Your Microdrama
3 images / Enter ↗02 / Feature filmShift
7 images / Enter ↗03 / Short filmAshes
14 images / Enter ↗04 / Feature filmThe Mirror and the Comb
13 images / Enter ↗05 / Feature filmBingo!
9 images / Enter ↗06 / Feature filmManiacs
4 images / Enter ↗07 / Contained action / sci-fiResonant
2 images / Enter ↗08 / Feature thrillerRundown
1 image / Enter ↗09 / Earlier work / Super 16As I Lie Awake
3 images / Enter ↗10 / Music videoBrenda Xu / Flying
2 images / Enter ↗11 / Documentary portraitShokoufeh
4 images / Enter ↗12 / DocumentaryGavel
3 images / Enter ↗Project index / 001—012
The index.
Twelve projects. Galleries, source imagery and notes.
01Sell Your Microdrama
Venture+
01 / Venture
Sell Your Microdrama
3 images
Distinctive vertical stories, connected with platforms, distributors and audiences.



Project notes
Benjamin Tomson / A founder and the CEO
Visit Sell Your Microdrama ↗02Shift
Feature film+
02 / Feature film
Shift
7 images
A father searches for his daughter across the boundary between realities.
Lookbook aesthetic
Ordinary Midwestern spaces are overlaid with an intrusive digital world. The lookbook calls for wide-angle photography, restrained close-ups and occasional tilt-shift or split-diopter effects as realities overlap. Simulated environments become fully convincing traps, while doubled birdsong and traffic make the fracture audible. Electronic reinterpretations of classical music support a visual language that is cool, layered and increasingly unstable.
Based on Shift lookbook pages 3–7







Project notes
A grieving father uses augmented reality to reconnect with his daughter, then discovers a parallel world where she may still be alive.
Screenplay & development materials
Writer & director: Benjamin Tomson
03Ashes
Short film+
03 / Short film
Ashes
14 images
A young woman searches her father’s ashes for proof that she’s finally free.
Lookbook aesthetic
Soot black, bone gray and worn domestic neutrals give Ashes a tactile, restrained world. The lookbook proposes Super 16mm, cold mortuary light and still framing that leaves doorways open behind Ezra. Oxblood red belongs to the cult; unstable amber arrives with the father’s return. Practical makeup, charred surfaces and sparse sound keep the supernatural rooted in ordinary rooms and damaged flesh.
Based on Ashes lookbook pages 7–15, with concept-image designation on page 18














Project notes
After surviving her father’s captivity, Ezra takes a job at the mortuary where his body awaits cremation. She needs proof that he can never hurt her again. But the silent, red-clad mourners at his funeral have no intention of letting him go.
In development
04The Mirror and the Comb
Feature film+
04 / Feature film
The Mirror and the Comb
13 images
A missing brother. Family secrets. Neo-fantasy meets brutalism.
Lookbook textures and current direction
The lookbook starts with controlled framing and naturalistic urban light, then lets inherited spaces become weathered, fragmented and strange. Broken studio windows, old canvases, fog and deep forest shadows connect family memory to folklore. Its sound world uses distant traffic, old radios, wind and uneasy silence. Those textures carry into the current neo-fantasy direction, where Novi Belgrade’s brutalist forms meet the uncanny.
Based on Mirror pitch deck pages 4–12; Current Novi Belgrade / brutalist neo-fantasy direction













Project notes
A documentarian investigating his brother’s disappearance follows buried family secrets toward an ancient supernatural threat. In the film’s second half, the story moves into the brutalist architecture of Novi Belgrade, blending neo-fantasy and brutalism with historic and conflict-driven undertones.
In development
Writer & director: Benjamin Tomson
05Bingo!
Feature film+
05 / Feature film
Bingo!
9 images
Small-town rivalries. A West Michigan bingo night. A turn for the worse.
Lookbook aesthetic and current direction
Bingo’s lookbooks pair small-town familiarity with warm, exaggerated ensemble comedy. The hall is the social center: patterned chairs, close-packed tables, numbered cards and bright red chips make its everyday rituals feel tactile and lived-in. Color and character quirks carry the humor, while the story keeps returning to community, responsibility and belonging. The approved knitted poster and Michigan winter imagery extend that contrast between warmth inside and the world outside.
Based on Original Bingo pitch deck pages 2, 5, 13, 15 and 19; Enhanced Bingo pitch deck pages 3 and 8; Current knitted-poster and Michigan imagery









Project notes
A down-home, darkly comic story set in West Michigan, where community, rivalry, and a bingo night spiral into chaos.
Screenplay & pitch materials
Written by Benjamin Tomson
Michigan location studies: small-town streets, winter light, open land, and the lake. Context for the film’s down-home, darkly comic tone.
These are contextual Michigan photographs, not film stills or confirmed shooting locations.
06Maniacs
Feature film+
06 / Feature film
Maniacs
4 images
Family trouble, on an entirely different scale.
Pitch-deck visual direction
The deck builds a hard-edged siege world around an isolated Oklahoma farm: long, weapon-bearing shadows, sour yellow-green grass, scorched ochres and an amber-red glow. Its references lean toward contained, physical genre filmmaking, where tactical precision meets unstable personalities. The visual mood is abrasive and tense, shaped by a family home becoming a last stand and old violence arriving at the door.
Based on The Maniacs deck pages 1–5: supplied imagery, synopsis and named film comparisons




Project notes
A former special-operations soldier’s remote family farm becomes a battleground when his estranged father’s crimes bring a ruthless cartel to their door.
In development
07Resonant
Action / Sci-fi+
07 / Contained action / Sci-fi
Resonant
2 images
Abducted into a secret sonic-therapy facility, an ex-soldier becomes the only weapon capable of stopping the man who built its mind-control system.
Synopsis and supplied visual direction
Sound becomes architecture in Resonant: a sterile soundproof chamber, a disguised rehabilitation prison and an environment that inflicts pain through frequency. The supplied images contrast clinical white acoustic foam with a blue-black nocturnal world, both organized around a tuning fork. The synopsis pitches contained action and sci-fi, combining bodily control, prison-break pressure and a violent struggle to reclaim silence.
Based on Resonant synopsis pages 1–2; Supplied Resonant poster and chamber concept image


Project notes
Written by Benjamin Tomson
08Rundown
Feature thriller+
08 / Feature thriller
Rundown
1 image
Three friends travel to Belgrade, where a nighttime run becomes a deadly hunt staged for wealthy spectators.
Treatment and supplied visual direction
Belgrade moves from invitation to trap: night streets, crowded cafés, river light and a running tour that becomes a sustained chase. The treatment specifies a roughly thirty-minute pursuit built from frenetic handheld work, drone photography, body-mounted cameras and static whip pans. The supplied red-orange poster adds torn-paper texture and watchful eyes, echoing a story in which the runners are always being observed.
Based on Rundown treatment pages 1–3; Supplied Rundown poster

Project notes
Written by Mac Cappuccino Development: Benjamin Tomson
09As I Lie Awake
Super 16+
09 / Earlier work / Super 16
As I Lie Awake
3 images
Nightmares crossing into waking life.



Project notes
Shot on Super 16.
Writer / director: Benjamin Tomson
Producer / cinematographer: Ben Mannarino
Editor: Michael Thompson
10Brenda Xu / Flying
Music video+
10 / Earlier work / Music video
Brenda Xu / Flying
2 images
A song from Overflow, made into a moving image.


Project notes
Direction / cinematography: Benjamin Tomson
Produced by Coward Films
11Shokoufeh
Portrait+
11 / Earlier work / Portrait
Shokoufeh
4 images
A jazz singer’s journey, told in her own voice.




Project notes
A portrait of Iranian-born jazz singer Shokoufeh Shadabi and her journey to the United States.
Direction / cinematography: Benjamin Tomson
Original project page ↗12Gavel
Documentary+
12 / Earlier work / Documentary
Gavel
3 images
The legal system, from the other side of the story.



Project notes
American legal procedure from the defendant’s perspective, and the consequences that extend into families and communities.
Director: Benjamin Tomson
Watch an excerpt on YouTube ↗54-second excerpt
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BENJAMIN TOMSON / BHT FILMS